La vie
• La Biographie
• La Chronologie
• L’avant Beatles
• Les Photographes
• L’après Beatles
• Les Beatles vus par…
• Le Wiki
• La Ville de Liverpool
Around...
• I Know you, and you know me
• Smells like Beatles Spirit
• Les Cinquièmes Beatles

Sommaire
Instrumental / Sessions / Dialogues
Instrumental / Sessions / Dialogues
| Dialogue – « Hi Ringo, Happy New Year. Hello Hare Krishna » |
00:00 |
| Sun King/Don’t Let Me Down |
00:34 |
| Dialogue – Paul : « These are making a film now » |
01:08 |
| « It’s like Picasso and paints, he starts with nothing. We start with nothing and end up with a T.V. show. » |
|
| One After 909 |
01:32 |
| Dialogue – « Discussion about the merits of One After 909 » |
01:42 |
| Because I Know You Love Me So |
02:41 |
| Dialogue – « Paul’s beard, Ringo and writing « Don’t Pass Me By » |
04:18 |
| Taking A Trip To Carolina |
05:35 |
| John’s piano piece |
05:56 |
| Dialogue – Paul : « Ringo said we are not going abroad » |
06:17 |
| Child Of Nature |
06:32 |
| Back In The USSR |
6.56 |
| Dialogue – George : « We are not going to do any oldies » |
07:09 |
| Every Little Thing |
07:22 |
| Don’t Let Me Down |
07:34 |
| Dialogue – Paul : « We should organise our career, so that we enjoy it again » |
08:35 |
| All Things Must Pass |
09:21 |
| Dialogue – George : « No overdubs » |
09:43 |
| Dialogue – John : « We should concentrate on the sound » |
10:06 |
| Dialogue – Ringo : « He comes round and tells you about a football team, like the mighty Chelsea ! » |
10:30 |
| She Came In Through The Bathroom Window |
11:01 |
| Dialogue – George : « You’re playing that bass again, pass me the trombone » |
11:07 |
| Dialogue – John : « A documentary of us making an L.P. » |
11:36 |
| « A chance to smile a bit, like All You Need Is Love » |
|
| Paul : « Daddy’s gone away now (talking about Brian Epstein) … we either do it on our own at the holiday camp, or we go away. » |
|
| Paul’s piano piece |
13:01 |
| Dialogue – Paul : « We’re doing a live show, Arabia, QE2 ? » |
14:03 |
| John : « We could be doing it in L.A. or France » |
|
| George : « The idea of a boat is completely insane ! » |
|
| Dialogue – John : « Good afternoon, I’d like to welcome you to the Beatles rehearsal rooms and their 50 press officers » |
15:54 |
| Get Back | 16:00 |
| Dialogue – John : « The Queen of Sheba wore falsies |
16:30 |
| Two Of Us | 17:06 |
| Maggie Mae |
17:27 |
| I Fancy Me Chances With You |
17:51 |
| Dialogue – Paul : « We should trespass » |
18:24 |
| Dig It | 18:42 |
| Dialogue – « That was can you dig it by Georgie Wood, and now we’d like to do Hark The Angels Come » |
19:14 |
| Dialogue – « Morning camera » |
19:30 |
| Get Back | 19:38 |
| Dialogue – John mentions A Day In The Life |
20:12 |
| Dialogue – George : « The things that have worked out best for us haven’t really been planned » |
20:46 |
| Dialogue – John : « It’s not what Paul wants, it’s his number » |
20:59 |
| Dialogue – Paul : « I’d like to thank the cast of this production …. which way did John go ? » |